Affiliation	Faculty of Science and Technology―Visiting Researcher
	Team	Computational Aesthetics
	Research theme	Visual Analytics for Music Compositional Processes
	E-mail	yuriko.takakurafj.ics.keio.ac.jp
	Website

Self-introduction

After studying musicology in the master course of the Graduate School of Letters, I started to study music visualization in Fujishiro laboratory from April 2016 and finished the Ph.D. course in March 2019.  I also studied at Institut de Recherche et Coordination Acoustique/Musique (IRCAM) in Paris from September 2017 to February 2018. Currently, I am working for a company and also belong to this laboratory as a visiting researcher.

Education

April 2017- March 2019	Ph.D. in Information and Computer Science, Graduate School of Science and Technology, Keio University
April 2016 – March 2017	M.E. in Information and Computer Science, Graduate School of Science and Technology, Keio University
April 2014 – March 2016	M.A. in Aesthetics and Science of Arts, Graduate School of Letters, Keio University
April 2010 – March 2014	B.A. in Aesthetics and Science of Arts, Faculty of Letters, Keio University

Publications

Journals

1. Yuriko Takakura, Masanori Nakayama, Issei Fujishiro: “Visual Analysis for the Compositional Process of Composers in Spectral School,” IIEEJ Transactions on Image Electronics and Visual Computing, Vol. 6, No. 1, pp. 22―30, June, 2018 [doi:　https://doi.org/10.11371/tievciieej.6.1_22]. 
2. Yuriko Takakura: “A Comparison of the Compositional Process between the Nirvana Symphony and the Mandala Symphony: An Analysis of the “Campanology Documents” ,” Ongakugaku, Vol. 63, No. 2, pp. 61―77, March, 2018 [doi:https://doi.org/10.20591/ongakugaku.63.2_61] (in Japanese).

Conferences

1. Yuriko Takakura, Masanori Nakayama, Issei Fujishiro, “Spectrail: Visual Analytics for Compositional Processes with Sound Analysis and Synthesis,” ICMC 2019, New York City, USA, June 2019.
2. Yuriko Takakura, Masanori Nakayama, Issei Fujishiro, “A Visual Analysis System for Compositional Processes of Composers in Spectral School,” in Proceedings of the 5th IIEEJ International Workshop on Image Electronics and Visual Computing, pp. 5B-2-1–5B-2-6, Danang, Vietnam, March 2017.

Presentations

1. Yuriko Takakura: “Analysis of the Compositional Processes in Toshiro Mayuzumi’s Nirvana Symphony (1958) and Mandala Symphony (1960) using the Campanology Documents,” NOVA FCSH, Lisbon, October 9―11, 2019.
2. Yuriko Takakura, Masanori Nakayama, Yuriko Kojima, Issei Fujishiro: “Visual Analysis Approach for the Process of Sound Processing by Composers in Spectral School,” in Proceedings of SIG Technical Reports, Vol. 2017-MUS-115, No.36, pp. 1―6, Ochanomizu University, Tokyo, June 16―17, 2017 (in Japanese).
3. Yuriko Takakura: “Compositional Process of “Nirvana Symphony (1958) and Mandala Symphony (1960),” Japan Musicology Society, Tokyo University of Arts, City, April 16, 2016 (in Japanese).
4. Yuriko Takakura: “”Campanology Effect” in “Nirvana Symphony” (1958) Composed by Toshiro Mayuzumi,” the 66th Conference of Japanese Society for Aesthetics, Waseda University, Tokyo, October 10―12, 2015 (in Japanese).

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