Teaching staff
Researcher
| ‡：Research Fellow |
Doctoral students
Master’s students
Bachelor’s students
 ：CG |  ：UI |  ：VIS |  ：April enrollment |  ：September enrollment |
Where are the alumni now?
Master’s Graduates
| Main employments: |
Accenture, AdvanceSoft, Amazon Web Services Japan, BANDAI NAMCO Research, BANDAI NAMCO Studios*, ByteDance, Canon*, CAPCOM*, Cygames, Dai Nippon Printing, DeNA, FROM SOFTWARE, Fuwai Hospital of Chinese Academy of Medical Sciences, GAME FREAK, HAL Laboratory, JAPANPOST INFORMATION TECHNOLOGY, KDDI, Koei*, Konami Digital Entertainment Co., Ltd., KONICA MINOLTA, Microsoft, Mitsubishi Electric Corporation, Nagoya Broadcasting Network, Navitime Japan, Nintendo*, NEC*, NetEase Games, NHK*, Nippon Steel, Nippon Telegraph and Telephone Corporation, Nomura Research Institute*, NTT COMWARE, NTT DATA Corporation, NTT docomo, Photon Sansu Club, PriceHubble, Rakuten*, Ricoh Industrial Solutions, SEGA, Sigma, SOFT CREATE HOLDINGS, Sony*, Sony Computer Entertainment*, Sony Digital Network Applications, Sony Honda Mobility, SoftBank, Square Enix, teamLab, University of Tsukuba, Yahoo |
| Going for a higher degree: | Doctoral Course at Keio University Graduate School of Science and Technology*, Waseda University, Graduate school of Business and Finance, University of North Carolina at Chapel Hill |
University graduates
| Main employments: |
Fukui Computer, IBM Japan, I-System, Koei, Rakuten, Samantha, TV Asahi |
| Going for a higher degree: | Master’s course at Keio University Graduate School of Science and Technology*, The University of Tokyo Benesse department of Educational Advanced Technology |
Alumni
2024–2025 School Year (Graduation in March 2025)
Completion of Doctor’s Degree
Completion of Master’s Degree
2023–2024 School Year (Graduation in March 2024)
Completion of Doctor’s Degree
Completion of Master’s Degree
Completion of Bachelor’s Degree
2023–2024 School Year (Graduation in September 2023)
Completion of Doctor’s Degree
2022–2023 School Year (Graduation in March 2023)
Completion of Master’s Degree
Completion of Bachelor’s Degree
2021–2022 School Year (Graduation in September 2022)
2021–2022 School Year (Graduation in March 2022)
Completion of Master’s Degree
Completion of Bachelor’s Degree
2020–2021 School Year (Graduation in September 2021)
Completion of Doctor’s Degree
Completion of Master’s Degree
2020–2021 School Year (Graduation in March 2021)
Completion of Master’s Degree
2019–2020 School Year (Graduation in September 2020)
2019–2020 School Year (Graduation in March 2020)
Completion of Master’s Degree
 |
Re-examining Anamorphosis for Naked-Eye 3D Imaging with Orthogonally Arranged Multiple Display Monitors |
| GENKI NAGASAWA |
 |
A Method for Generative Art Using Two-Dimensional Virtual Photoelastic Objects |
| Kazuki MIYAZAKI |
2018–2019 School Year (Graduation in September 2019)
Completion of Doctor’s Degree
 |
aflak: Advanced Framework for Learning Astrophysical Knowledge —A visual programming approach to analyze multi-spectral astronomical data— |
| Malik Olivier Boussejra |
2018–2019 School Year (Graduation in March 2019)
Completion of Doctor’s Degree
 |
A Computer Graphics Framework for Representing Fine Details of Fiber Objects |
| Yasunari IKEDA |
 |
A Visual Analysis Methodology for Music Compositional Processes with Sound Resynthesis |
| Yuriko TAKAKURA |
Completion of Master’s Degree
 |
A Visual Simulation of Damaging Denim with Fiber-level Details |
| Yūtarō TOGO |
 |
FIST: A Fast, Implicit Model of the Human Hand with Semi-Anatomical Structures |
| Masato NAKADA |
 |
Primo: Representation of Animacy using Virtual Creatures |
| Yūki MIYAHARA |
 |
Swellart: Sketch-Based Deformed Design by Constrained Automatic Swelling |
| Kaiki YUASA |
 |
Visual Simulation of Tearing Sheet of Paper with Anisotropic Fibers |
| Saeko SHINOZAKI |
2017–2018 School Year (Graduation in March 2018)
Completion of Master’s Degree
 |
TideGrapher: Visual Analytics of Tactical Situations for Rugby Matches |
| Yusuke ISHIKAWA |
 |
Making Abiotic Things Lively with Breathing |
| Takahiro SHIMIZU |
 |
Hidden Eye-Tracking Technologies with its Application to Entertainment |
| Fumiya SHIMIZU |
 |
3D Fluid Simulation Control by Direct Manipulation |
| Yuto HAYAKAWA |
 |
BAND: Blowing Animation Created from Natural Motions Synchronized with Digital Music |
| Eri HORII |
Completion of Bachelor’s Degree
 |
A Binocular Vision System for Generating Flames Using Particle Volume Rendering |
| Akihiro IMADA |
 |
Realtime Visual Simulation of Powder Behavior by Extended Position-Based Dynamics Taking State Transition into Account |
| Keisuke TAKIGUCHI |
 |
Digital Music-synchronized Posture Control in Blowing Animation |
| Kou TAKEUCHI |
 |
Alleviation of tunnel vision by adaptive translucent blending of panoramic images |
| Takuji TONO |
2016–2017 School Year (Graduation in March 2017)
Completion of Doctor’s Degree
 |
Viewer-Adaptive Control of Displayed Content for Digital Signage |
| Ken NAGAO |
Completion of Master’s Degree
 |
Ambient Music Co-player: Affective Video Generation Supporting Impromptu Musical Performance |
| Anri KOBAYASHI |
 |
Visual Simulation of Adhesive Fine-Particles Taking Yield Criteria into Account |
| Shuto SHIKAMA |
 |
Virtual Grasping Animation Taking into Account Affordance-related Information |
| Reo TAKAHASHI |
 |
Visual Simulation of Hair Bleaching |
| Yasuaki HORIE |
 |
Interactive Groove Visualization for Live Performance |
| Nobuhiko JIN |
Completion of Bachelor’s Degree
 |
CoCoA:Commendable casting of actors/actresses for live-action film making |
| Nozomi HIJIKATA |
2015–2016 School Year (Graduation in September 2016)
Completion of Master’s Degree
 |
TimeTubes: Visualizing Time-dependent Multivariate Blazar Data |
| Longyin XU |
2015–2016 School Year (Graduation in March 2016)
Completion of Master’s Degree
 |
Naked-Eye 3D Imaging Through Optical Illusion Using Orthogonally-Arranged Multiple Display Monitors |
| Takeru ISAKA |
 |
Visual Simaluation of Burst Taking into Account Two-way Coupling of Thin Films and Content Liquid |
| Akichika SAHARA |
 |
Modeling Crowd Movement Taking Non-uniform Density Distribution into Account |
| Ryōhei SUZUKI |
 |
Making Many-to-Many Parallel Coordinate Plots Scalable by Asymmetric Biclustering |
| Yusuke NIIBE |
 |
A Variation Visualization System for Understanding Variation Features of Classical Music Composers |
| Ryōta MURAOKA |
2014–2015 School Year (Graduation in September 2015)
Completion of Bachelor’s Degree
 |
Applying Image Analogies to Anime-style Conversion of Background Scene Images |
| Masakazu TAKURA |
2014–2015 School Year (Graduation in March 2015)
Completion of Master’s Degree
 |
Motion Puppetry Taking Skeletal Similarity into Account |
| Norihide KANEKO |
|
Simulation of Crease on Cloth based on Position Based Dynamics |
| Sho KITAMI |
|
Multi-Scopic Viewer with Applications to Selective Spatiotemporal Browsing |
| Takahiro SANO |
|
SeeGroove: Supporting Groove Learning Through Visualization |
| Naoki HAGA |
2013–2014 School Year (Graduation in March 2014)
Completion of Master’s Degree
|
Fast Simulation of Viscous Fluids with Elasticity and Thermal Conductivity Using Position-Based Dynamics |
| Tetsuya TAKAHASHI |
|
An Interactive CG Representation of Fresh and Juicy Fruits |
| Tomoko TAKEDA |
|
Tree Modeling Based on ShadowDraw Paradigm |
| Takato YOROZUYA |
Completion of Bachelor’s Degree
|
Visual Simulation of Water Strider Motion on Water Surface |
| Sunkuke KUROSAWA |
2012–2013 School Year (Graduation in March 2013)
Completion of Master’s Degree
|
Development of a Portable AR Maze Application |
| Kazuki ASAGA |
|
Development of a Portable Sand Animation Simulator |
| Takahiro ITO |
|
Visual Simulation of Bleeding |
| Kazuhide UEDA |
|
Interactive Deformation Simulation of Non-Uniform Elastic Bodies |
| Kazufumi TAKAOKA |
|
Interactive, Visual Simulation of Whirlwind Using Grid and Particles |
| Satoshi NAKAJIMA |
|
3D Modeling of Botanical Trees Based on Crossing |
| Shohei NISHIKAWA |
|
Visual Simulation of Chlorinated Surfaces |
| Masashi HIROKAWA |
|
CosmicAI: Synthesizing Sky Images Through Similarity Search, Flexible Arrangement and Work Sharing |
| Takanobu MITANI |
|
Cross & Graft-Based Interface for 2D Shape Modeling |
| Shun YASAKA |
Completion of Bachelor’s Degree
|
Visual Clustering for Time-Varying Scholastic Performance Data |
| Tomohiro AOKI |
|
Proposal of Aesthetic Evaluation Model Using Harmonic Metric of Information Aesthetics |
| Kento MORI |
2011–2012 School Year (Graduation in March 2012)
Completion of Doctor’s Degree
|
A Particle-Based Approach to Visual Simulation of Flame for Interactive Applications |
| Satoshi MABUCHI |
Completion of Master’s Degree
|
Acceleration of Photon Mapping Through GPGPU and Shader |
| Toshiki IIZUKA |
|
A Workbench for Synthesizing Miniature-Style Photographs |
| Nobuhiro OHNISHI |
|
Pitching Habit Analysis Using Image Processing |
| Shinya KASAHARA |
|
Condensed Provenance Views for Visualization Life Cycle Management |
| Yusuke SESHITA |
|
Resource-Aware Rendering for 3D Display Devices Using Surface Descriptors |
| Ayaka NAKATANI |
|
Volume Visualization of Pancreatic Tissues with Multi-Dimensional Transfer Functions |
| Chihiro MITSUBORI |
2010–2011 School Year (Graduation in March 2011)
Completion of Master’s Degree
|
Algorithms and Interface for Rigid Body Simulation Control |
| Atsushi UEDA |
|
A Casting Support System for Producing Live-Action Videos Adapted from Comics |
| Mai MOROBASHI |
|
Simulating Troops of Ants on Surfaces of Arbitrary Topology |
| Yasuyuki SATO |
|
Proposal of Effective Transfer Functions for Video Visualization |
| Junya SEKI |
2009–2010 School Year (Graduation in March 2010)
Completion of Master’s Degree
|
Proposal of a Line Illustration Method Taking Designer’s Intention into Account |
| Yoshiaki SAKURAI |
|
Direct Pointillism Rendering of 3D Models |
| Yusuke SANUKI |
|
Adaptive Photon Mapping with Reference to Grid Structures |
| Masanari WATANABE |
Completion of Bachelor’s Degree
|
Development of a Support System for Drawing Bird’s-Eye Guidance Views |
| Hiroyuki SASAKI |
|
Development of a Simulation System for Interior Design Using Image-Based Rendering Techniques |
| Hiroko SAWA |
|
Generation of Background Images for Manga-Style Illustration from Photographs |
| Akira REI |
Previous Teaching Staff
Assistant Prof.
Hsiang-Yun
WU
